This has turned in to a sweet thread.
First an interesting fact, I just found out Vong definitely won't be visiting VTK, because Jean-Georges apparently sold his piece back to Lettuce when they wanted to pursue more of a Big Bowl style concept....henceforth why the name also went from Vong's Thai Kitchen to VTK, as part of the exit package.
Now I may have missed that fact as Bruno did, since in my response to his review I assumed it was still "Vong", but I'm curious, doesn't the Sun Times have copy editors and fact checkers? You'd think they'd pick that up, or what are they spending all those millions on ?(Aside from Conrad Black's vacations)
I like the point about Pauline Kael, and I have to say that's truly where my heart was. I'm just rediculously passionate about food. This really isn't a job for me as much as it's a mission of sorts.
I don't know how people feel about Jim DeRogatis or Roger Ebert or John Kass, but my take is that in an industry and city which has increasingly silenced the individual voice of critics and writers in favor of a bland universal editorial voice, these guys are a bloody champagne supernova in the pitch-black sky. Knowledge, passion, a relentless pursuit for relevance and an individual voice persist in these guys. I just want that for food.
I think food coverage gets shortchanged, because, despite the rising interest about it, food is still not a pop cultural phenomenon, a revenue generator, or percieved as a public work that needs a serious watchdog in the the way music, sports, politics and movies are.
Sure there's the blip like Ratatouille, but of the millions who saw the movie, probably less than 10% know who Thomas Keller is or that he was the primary chef consultant on the movie. Half my friends, even those who love to cook and eat don't know who Mario Batali is...maybe two of them know who Michael Pollan is.
This second class citizen status makes it easy for those who believe the '50's housewife journalistic aesthetic of quick and easy meals or laundry list navel gazing decor deconstructing critical reviews espousing the "beauty of a glistening oyster" while ignoring cultural context, are still relevant approaches. Anton Ego, the uber-snotty monster reviewer protaganist in Ratatouille is actually pretty spot on regarding many critics.
No ones telling these folks they're wrong, partially because no one's reading. Executives and managers at the big dailies don't step in pressing for change, because the food sections are doing "good enough". Or, they're not doing well enough, so execs step in and slash budgets further hampering the rise of good food coverage.
I've said it before, how does the Trib justify paying millions to a slightly above average temperamental pitcher like Carlos Zambrano when it won't even pay a couple thousand to cover an anniversary dinner at Charlie Trotter's? They do it, because even with a sketchy Zambrano, the Cub's are making money hand over fist.
The way I see it, the hundred year old writings of MFK Fisher, because she regards food as a medium for examining not only the food chain, but also the sociological, anthropological, historical, and cultural aspects of life are probably more relevant than most of today's food journalism.
This is why I'm trying to be a watchdog.
I might temper my voice or be more focused on how I pursue this role because of some of things I've learned from this thread, but I still reserve the right to be wry where there's a whole lot of truth in the wryness.
There's definitely a line though. Anthony Bourdain may be loudmouthed and abrasive, but he has standards. He's generally not mean spirited or an ambush artist. If he were, public opinion would turn on him in the way it turned on Don Imus when he said what he said about that women's basketball team. Likewise, Bourdain goes after big targets folks like Rachael Ray, Food Network and Emeril because they can handle it. He doesn't usually rip on some diner owner living on razor thin margins in a small town.
Last edited by
MJN on January 26th, 2008, 5:49 pm, edited 1 time in total.