On one of last winter's coldest days, I stood in line at the Chicago History Museum to have Studs sign my copy of his autobiography,
Touch and Go. I'm so glad to have done so. Perhaps Rene G can give some history on Studs' favorite restaurant of days gone by, Riccardo's. Here is what Studs writes in
Touch and Go:
"Ric Riccardo appeared in one of the most popular films ever made, though you'd never know it. He was portrayed by Humphrey Bogart as Rick, in
Casablanca. Riccardo's spa was the favorite, naturally, of those who spoke truth to power. For that was this man's life from the beginning. He had the bearing of Don Giovanni, say, played by Enzio Pinza and he did very well in that respect. but more important, he was an anti-Fascist who escaped Mussolini's castor-oil treatment. It was a special sort of punishment for dissenters (You may have seen a filming of that in Fellini's wondrous last work,
Amarcord.) His very presence afforded the place an openness and ebullience that made it a natural for such as Algren, Cameron, and Royko. . . Riccardo was a most genial host. Often he'd pass through, accompanied by an accordionist and a guitarist, singing songs, not just anti-Fascist, but raffish. Songs resembling those of the Moulin Rouge in nature. What a scene it was in its heyday. There's no such joint today."
Studs goes on to recount how Riccardo ran tabs for unemployed painters during the Depression until their WPA jobs put them back to work and they could pay up. He also recalls that Riccardo's was one of the only places in the Loop to welcome African- Americans (another was the Blue Note Jazz Club). Riccardo's was located next-door to the Wrigley building. Studs writes:
"Word somehow came to P.K. Wrigley that Riccardo was letting blacks in. Ric was still Wrigley's tenant at the time. Wrigley called Riccardo: 'I understand you have a certain element at your place. I think it's demeaning. The property will drop in value and I suggest you be more careful about your guests.'
Riccardo wrote a note to Wrigley: 'I'll have whoever I want as a guest as long as they don't hurt anybody.' He put up a sign in the corridor: ALL MEN OF GOOD WILL WELCOME. He said to Wrigley, 'All are welcome, I don't care who they are. What do you propose to do about it?' Wrigley did nothing. Knowing Ric, today the sign would read: ALL MEN AND WOMEN OF GOOD WILL WELCOME."
Farewell, Studs Terkel, you were a Person of Good Will if ever there was one.
:
Man : I can't understand how a poet like you can eat that stuff.
T. S. Eliot: Ah, but you're not a poet.