Eivissa and Tapas (Trend Without End)Tapas, like sushi, are (is?) one of many very popular food trends that have been around Chicago for a while and show no sign of letting up, as though the principles of market saturation do not apply: there’s apparently limitless demand for the stuff and, worse, limitless supply. The result of this endless love for tapas and sushi has been a lot of restaurants that have little reason to exist aside from the fact that they tap into the trend.
I have been to more mediocre sushi joints than I even care to remember, and in the past few months I had a particularly depressing dinner at
Blue Ocean, which embodied everything I fear about the rising tide of sushi joints that put a premium on clever-ish rolls seemingly intended to disguise less than stellar seafood.
Tapas, too, have been Chicago staples for well over twenty-five years, and I was recently bummed to have dinner at
Pasha, a place I had enjoyed years ago when it was on Clark but which
recently reopened on Randolph and is just not where you want to go for tapas – of course, if you want to groove to tunes or dance, nibbling a bit of fuel in between numbers, then have at it.
I had some reservations about Eivissa, only because I was so recently let-down by the tapas at Pasha. Then I was invited by the management to have dinner there, so I gave it a shot.
Maybe I’m just getting jaded, but as the years go by, I prefer simpler, higher quality ingredients to fancier preparations that are dressed up dandy but bear no substance, empty suits on the table that initially wow, based on appearances, but disappoint once you get to know them.
At Eivissa, my daughter and I really liked the lamb chops – not so much the slightly sweet sauce but more the quality of the meat and the fact that it was expertly prepared, very tender and delivering mouth-filling lamb flavor. Now, it might seem obvious that a lamb chop would taste like lamb, but we’ve found that over the years, lamb chops, like goat cheeses, seem to be engineered to achieve a kind of neutral flavor, tasting not much like the animal from which they came, seemingly by design, so as not to offend sensitive palates that might be turned off by “gaminess,” however slight. These delicate meat-sicles packed flavor all out of proportion to their diminutive dimensions, very good meat, sensitively cooked:

Similarly, the lentils, very simply dressed with some bell peppers, tomatoes and scallions, were quite pleasing in a kind of stripped-down, fresh and unassuming way.

The paella at Eivissa – which gets big points for featuring the requisite socarrat all along the edges of the pan – had seafood that looked to be “pushed into” the rice somewhere near the end of the cooking process, so that the seafood was cooked for a while within the rice.

At Pasha, it was a totally different story: the seafood was plopped on top of the rice after each was apparently cooked separately, which I really didn’t like at all. I mean, what’s the point? If you’re not cooking the seafood at least some of the time within the rice, giving each set of ingredients a chance to get to know one another, then it’s kind of like the problem with most chicken-waffle combos: two things that have no relation with one another except spatially in that they both find themselves on the same plate; they might as well be served on separate plates or as part of separate courses.

Just to confirm my understanding of this dish, I looked over a few paella recipes and found that
even more mainstream chefs like Tyler Florence recommend cooking the seafood within the rice for a relatively long time.
It may be that paella,
like duck confit, is one of those things I love a lot but should probably never order because restaurant versions make me think fondly of my own home versions. With sushi, however, I’m pretty much at the mercy of continually less satisfying restaurant renditions of the stuff.
The comparative quality of tapas at Eivissa may well be the result of the Dudley Nieto’s initial efforts at this place; he’s gone, but I’m guessing the menu he put in motion still bears his imprint.
Eivissa
1351 N. Wells
312.654.9500
"Don't you ever underestimate the power of a female." Bootsy Collins