Unlike our recent Manhattan tour, which was about getting a sense of what New York’s great Neapolitan pizzerias were all about, our latest venture, a Brooklyn tour, was more a pursuit of the pizza culture of New York; everyone from the owners, the piemen, and the locals that frequent these neighborhood establishments. The fascinating theme for me throughout this adventure, though, was the absolute devotion to great pie making in every place we went, no matter how different their approaches and concepts to great pizza might have been. Seeking out this passion makes trips like this a cherished endeavor, worth its weight in gold.
A few weeks ago, Trixie and I happily made the hour trek by subway from Manhattan to Coney Island, the sight of one of New York’s great pizza treasures, the original Totonno’s. Open since 1924, this gem has been continually owned and operated by the same family. Its present pieman is Lawrence Ciminieri who is the great grandson of the founder, Anthony (Totonno) Pero. Pero worked for many years at Lombardi’s (America’s first pizzeria) before breaking off and heading to New York’s historic amusement playland.
Totonno’s is the classic neighborhood pizzeria; Locals coming in and out of the place constantly, anxiously awaiting their pies. Our waitress and her friend gave a kiss to the matron (most likely Ciminieri’s mother) as she left her shift. The two couples eating around us were having a conversation as though they knew each other for years. I loved the vibe of this place.
We ordered a sausage pizza and were planning on only doing a sampling since we had the big neighborhood tour the next day. The pizza was done in about 15 minutes. It had the exact, wonderful ingredients as the Manhattan pie: homemade fresh mozzarella and San Marzano tomatoes. The sausage, though homemade, was the weak link of the pie. It’s amazing, though, how you can have a less than desirable sausage, and still say this pizza ranks among the greatest pies anywhere. But mainly, it is Totonno’s crust that separates themselves from most other places. The execution is stellar as well. This is my idea of a great New York pizza parlor.

::The following day, we met up with a small group of six, including GAF, at Di Fara’s, in the Midwood section of Brooklyn. Since Di Fara’s is a landmark and we expected a big Saturday crowd, Trix and I decided to be the first customers of the day. We arrived at around 10am, an hour before opening, only to see the legendary Domenico Demarco well into his preparatory morning rituals. While waiting the hour, we checked out the predominately orthodox Jewish neighborhood of Midwood during Sabbath, which meant that we were basically in a ghost town.
There was one thing that impressed me most of all throughout this trip. As Demarco showed us in through the kitchen, Gary threw massive praise his way about his renowned pizza stature. His response was “I take great pride in what I do” in his beautiful, thick Neapolitan accent Demarco is the pizza realm’s version of a monk. In an interview with the New York Time’s Jeff VanDam, Demarco says: “I eat once a day, after close. With wine. But I have one piece of pizza every day, to see if it comes out all right. Then, after I close, I sit down with my bottle of wine and eat….”
I loved how the locals would come in and ask about whether the pan pizza was ready yet. When he said “15 minutes”, you could visually see the pain in their faces. On the open window, he grows his fresh herbs.
It is quite apparent that this is a pie made by a master. Every element in his piemaking process is extremely well thought out. You sense that, in his mind, he created the ideal pizza many years ago and is just executing that perfection daily.

(Don't tell me that the young Demarco isn't dead ringer for our own Aaron Deacon!)
We ordered a pepperoni pizza of which Demarco uses an Italian aged parmesan, fresh mozzarella from Caserta (his hometown), a bit of Romano, wonderful sauce made from Salerno tomatoes, both homegrown and dried herbs, and then a sprinkle of olive oil over the finished product. The pepperoni was the finest I’ve ever tasted. The flavor of his pizza is unsurpassed virtually anywhere. The problem I had was its sloppiness in the inner third of the pizza. I’m not sure that New York pizza aficionados would consider this a problem, but I struggled to manage it. As far as the rest of the pie, it was bliss and heaven.
I consider myself quite fortunate to have experienced the world of Domenico Demarco. You should have to pay admission to be around an artisan like this.
:: Next on our tour was Peperoncino in the Park Slope area. This young restaurant has a beautiful round oven that wows you from the moment you walk in. The employees and operators were all young Neapolitans who took no time in informing us, early and often, that their pizza was the real deal and that it would be, no doubt, the best pizza we would ever eat. I enjoy passion like this, even when it is completely unfounded.
The group ordered 3 pies: the Diavolo (sausage), pizza do mare (seafood), and margherita. As usual, all the ingredients were fresh but the vibrancy of the overall pies was lackluster. There was a lot of uneaten pizza left over, which I think supports my impression. I don’t believe we finished even one of the three pizzas we ordered. I could make a case that everyone could have been getting full but this was only our second stop. Technically, not bad pies.
It’s not easy for me to give a less than enthusiastic opinion on a place where the people take immense pride in their product. Serious attempts at pizza making should never be taken lightly. However, if you’re following in the footsteps of giants, that being Totonno’s and Di Fara’s, you better be serving something more than just another pie if your claim is “best ever”.
::
Our next stop was Caserta Vecchia. This was a serious and stark environment compared to the previous places: extremely uninviting due to an aloof staff. If New York pizza establishments had a vibe like this, in general, it certainly wouldn’t warrant a tour. Luckily, they don’t.
We only ordered two of their pizzas, the margherita and quattro fromaggio, since most of the crowd were starting to feel the pain. The bright spot for me here was the prevalence of the gorgonzola in the quattro fromaggio. The overall balance of the cheeses (gorgonzola, fontina, parmesan, and fior de latte) was quite to my liking, although some might have thought that it was too busy on the palate. The crust was firmer than anything we had so far in the day but lacked any standout characteristics.The margherita was well constructed but was fairly unmemorable.
Don’t get me wrong; Caserta Vecchia knows how to make authentic Neapolitan pizza. What worries me, though, is that in 6 months or so, it will be nothing more than a faded memory, less because of the pizza than its lack of personality. Maybe if we went at a busier time, it would have been different. What are the chances of this being true? Not too good.
:: After Caserta Vecchia, we decided to take a pleasant walk through some of Brooklyn’s more upscale neighborhoods and along the East River with a splendid view of Manhattan, ultimately arriving at our final stop at the base of the Brooklyn Bridge, the famous Grimaldi’s. As the lines running outside would suggest, this pizzeria is a New York landmark. Often considered the finest pizza in all of New York, Grimaldi’s is a common destination for walkers from Manhattan who make the trek over the Bridge. Its location is ideal. However, if you’re looking for a neighborhood experience, skip this place outright. My sense is that after the immortal Patsy Grimaldi sold the pizzeria to Pattabe, Inc., whatever personality the place used to have, completely vanished. This is New York’s version of Chicago’s Pizzeria Uno.
It’s never a good thing when you respectfully and enthusiastically ask to take pictures of the oven and piemen and are rejected with impunity. Make no mistake about it, this is a business first and foremost; a pizza factory that is more concerned about processing customers at an efficient rate for maximum profit. The aesthetic side of their world definitely takes a back seat.
However, it would be completely unfair to not give them their due. We ordered a pepperoni pizza, whose magnificent structure and overall wonderful ingredients that should not be minimized. As Gary Fine correctly points out above, the pepperoni wasn’t up to Di Fara’s, but to say that it wasn’t good would be a stretch. Their crust was the best of the day. They unquestionably make splendid pizza. The question is whether the commercialism of this enterprise like this bothers you enough to just seek out another great pizzeria elsewhere.

What I learned from this trip was that New York has a lot of wonderful pizzerias. But what drives me to seek out great pizza has more to do with the people that make up that pizza culture, from the piemen to the owners and even the customers, than even the pizza itself. These places are neighborhood institutions, where people see these places as culinary treasures.
Last edited by
PIGMON on October 28th, 2008, 5:51 am, edited 1 time in total.