Jennifer McLagan wrote:Our world is full of recipes for boneless, skinless (and often tasteless) pieces of meat, chicken and fish, and we scarcely recognize whole fish or birds. We have become so obsessed with ease of preparation and speed that we have lost touch with the visceral appeal of cooking with-- and eating-- bones...
My passion for bones was rekindled during a wedding anniversary dinner several years ago in a well-known Paris restaurant. The evening began tentatively, with my furtive glances at the man seated at the next table. No, I wasn't plotting a change of mate, I was envious. Envious of this stranger's bones: a plate of three towering marrow bones, each topped with a different topping. I wanted those bones.
More and more I find myself seeking the skills of the past, amid the yellowing and ancient volumes of my vast library. A modern life of instant pizza and frozen toast is weak and unsatisfying; I seek the knowledge of chefs past, unafraid to wrestle with the very elements of nature herself in order to coax gustatory delights from them. When I heard that there was a cookbook called
Bones, I was both amused and faintly shocked-- who in our sensitive age wanted to be reminded that our kitchens are in fact charnel houses, graveyards, crematoria?
Yet as I sat in my bed chamber brooding upon the thought, night after night, I came in time to see how natural, how perfect, how captivating the very thought was. It was as if a voice was inside my head, telling me that it was time to throw off the shroud of delicacy, of euphemism and suppressed knowledge, and revel in the acceptance of Death as our constant companion, indeed, our truest friend. To sup at his table, laugh at his one joke, and know that as much as men fear Death, there is something else-- oh, how I of all men know there is something else-- more fearsome yet, from which Death would be the kindliest of mercies.
And so I set out to recover for myself the ancient arts which once made life from Death's own handiwork; and learn the skills of cooking from bones. My ultimate meal would be braised short-ribs, a recipe taken from the
Balthazar cookbook (where, interestingly, it is said to be the first thing taught to new cooks); but before I could embark upon it, I had to make the veal stock that would be one of its most essential constituents, and for that I turned to the instructions within the yellowing, decaying pages of
Bones. The first step was acquiring, through contacts in the flesh-trade, a sufficient quantity of veal bones, and reducing them to sizes adequate for cooking. Fortunately my assistant was extremely capable at rending creatures limb from limb, and he made short work of reducing the luckless beast to a bloody mass of bones and marrow.

Jennifer McLagan wrote:Bones connect me to my childhood, and they link all of us to our past. As I researched this book, I discovered that bones have played an essential role in the history of mankind. They were practical, providing the material for tools. They were powerful, enabling people to foretell the future and ward off evil. They were decorative, fashioned into beautiful objects and jewelry.
Of course, the past is not always an unalloyed joy to be linked to; sometimes a memory (oh, dear Lenore!) is so hideous that it is all one can do to blot it out during the day, but always, night comes, and with it-- but enough! Having browned them in the oven over vegetables, the aesthetic aspect of bones soon revealed itself to me-- what colors! What composition! Is it not worthy of a Raphael or a Tintoretto, this array of bones in all its magnificent coloration of decline and extinction? Do they not seem peaceful, at rest in the very sort of rest denied to me-- denied, most cruelly, to my beloved Lenore?
Place the bones and vegetables in a pot and cover with water, then simmer for hours, uncovered-- as I should have uncovered you, Lenore, instead of listening to them when they said you had been pronounced dead by a competent surgeon, and that I merely imagined the sound of you scratching, scratching at the lid of your tomb! Placed there by my own hand, to beat against that lid and call for me helplessly, hopelessly, until-- too late!
After six hours, strain the stock, a thick brown gelatinous stock. It is simplicity itself, as long as one does not burn it, there is little else to do but let it cook itself down. Skim off fat, cool it overnight to separate more; I used about half of it in my subsequent recipe and froze the rest in small jars for future use. It is a skill I was instantly grateful to have acquired; I shall not fear bones in the future, but revel in them. The next time I need their rich flavor, I shall simply dig up one of my entombed jars of stock and restore it to life, as-- the thought occurred to me-- could I not do, as well, for my beloved Lenore?
* * *
And so on to my main recipe, braised short ribs in a wine-flavored stock. First bind the short ribs tightly, then (as if dropping a parcel into the inky depths of the river) drop them into the pan to brown them.
Next, wine, a very fine Amontillado from my cellar recommended by my friend Montresor, the veal stock, and vegetables, all covering the short ribs. In this rich blood-red stew life seems to return to the very tissue, what was once thought dead and lost to me forever is reanimated with the spark of life. Oh, Lenore! Can it be true that in this way I have atoned, atoned for the dreadful crime of committing your still-living body to the grave prematurely?
Three hours pass-- and then, the bells! The bells toll! Remove the meat and the vegetables, strain the sauce, then heat it until it coagulates. Serve over the meat and vegetables:
Words can scarce describe the result, so rich with the velvety gelatine of the joints, the flavorful essence of the bones. A stew as deep and murky as the soul of its creator. Both Sons devour it with relish... and so too... so does...
...my BRIDE!
Last edited by
Mike G on October 31st, 2006, 11:12 am, edited 1 time in total.